3 reasons you should invest in an artwork (and whose)

1. It will improve your life.
Usually we are told that art is a good investment because it will increase in value (sometimes enormously) over time. This is true for artists who gain the right attention, hang in the right galleries and, dare I say it, know the right people. If you are looking for that kind of investment this is not the blog to advise you.

However, a small investment in art will improve your life. Art elevates us, speaks to us in nonverbal ways of things we never thought but always yearned to, it moves us. You can have this everyday simply by placing a work of art in your room where you work, in your home, wherever.



2. Buying art will help save the world.
Usually we are told that donating to various charities will help save the world. I don’t want to suggest that this is not true or that you shouldn’t make donations, but please consider the plight of the artist.

When we look at history we look at its art. Artists today reside in a place in society far from the traditional one with its studio spaces in shabby but trendy parts of Paris or Greenwich Village and its patrons who could be relied upon to emerge from the shadows at an exhibition and buy just enough works to keep the artist going until next time. There are no cheap studios today and no patrons. That means we are all needed to step up to play patron on occasions or artists will go the way of the recently extinct Thylacine. How will the history we are making today look without the diversity of vision artists bring?



3. Art is better than sex.
In researching this article I googled the phrase “art is better than sex” and apparently I am the first to claim this. I’m not surprised. It is really the new taboo in our society.

A statistic commonly bandied about by art-loving bureaucrats is that more people visit art galleries each year than go to sporting events. While this gives me a warm fuzzy, what does it indicate on the ‘sex’ front? We all know we would prefer to have sex than sit and watch some stuffy sport program, so the obvious conclusion is that art is better than sex.



Now that I have you convinced, whose art should you buy? I could suggest many artists but I will give you three that I myself have invested in (yep, I am the lucky owner of these 3 artworks) and have consequently found my life vastly improved - James P Gilmour, Emma Kidd and Annie Matheson (in order of appearance). Actually, I'm going to put in a plug for my etsy shop here too, if you don't mind.

I changed my banner...

What do you think? I just added my tag line and a little humor. Does it work?

Open Sesame ~ Close Sesame

Converge exhibition has come and gone in a flash of five days only. It was a wonderful experience! I met some fabulous people, made great contacts and thoroughly enjoyed being in charge, with Julia and Natalie, of how the exhibition looked and what was included.

We had about 30 people to the 'opening'. Everyone had a great time and the three of us got fabulous feedback.

Here we are, the artists, Natalie Bateman (left), me (in the middle) and Julia Morrell (right). Behind us you can see Julia's triptych "Kingfisher Message" (digital prints on canvas) and Natalie's "Abstract on Lovers" (acrylic on canvas). In the blurry foreground are 4 little artist books by me.

Uncle Martin Ballangarry helped open the show and welcomed us to country. Here he is with his grandson looking at my books. He is such a fabulous guy! I enjoyed meeting him enormously.

Another shot of the crowd. It was a good size. I got to speak to just about everyone I think.


I took this shot the next day so you had a better look at my "bootiques".

Tonight ~ tonight

The 'official' opening of our exhibition is on tonight. I'm not fussed with the term 'opening' and prefer 'soiree' because the exhibition actually opened on Wednesday. But who wants to go to an exhibition opening on a Wednesday night in Gladstone? (A: no one.) So tonight is by far the best time to have it, however, the term 'opening' has confused quite a few people. And so our exhibition soiree is on tonight! The wine is already in the boot of my car, I'm packing cds and making nibblies and it should be very very good.

Deep Thought (Pink Henna)
Mixed Media on paper, 10cm x 10cm

We have had some good response to the exhibition so far and today I am heading down there earlier to spend time in the gallery. I'll also be there all weekend if you are thinking of coming for a look.

Next week I should be organised enough to show more images of the works you haven't seen yet. So "cheers" to you if you can't be there tonight. I really appreciate all my readers and thank you very much for the support you give me!

Hanging the exhibition - conVerge

What a day we had yesterday! Exhibition hanging day was long but a great team effort by us all has resulted in a fabulously exciting exhibition. The Macleay Valley Gallery at Gladstone (NSW) is situated at the side of the community hall. It is a wonderful space. This is the view of our exhibition "conVerge" from the front doors. If you would like to know what each bit of the photo is, click on it and you will be taken to it's Flickr page where I've annotated them. It's almost like being there! Ha. Not really. You still need to come if you can!

It was a long day and I took these photos at 9pm (before my 1 hour drive home). I thought my eyes were blurry but no, I did something wrong with the camera and the photos are blurry. I promise better shots later in the week. This is the view when you turn and look back at the front door.
Yes, we have a little "shop" area thanks to Julia acquiring the spinning card rack at bargain price! It's full of Julia and Natalie's cards, my hand printed cards, notebooks and unframed prints. I've also got some small blank books and hand stitched patchwork pouches.

These are my recent mixed media works on paper (below). All female faces layered with book pages and patterns.

I'm so excited to show you this little work, my "Portrait in 5 Parts". They are tiny oil on canvas paintings in found frames. Some of the frames have very old curved glass and the cluster on the wall looks great, with just a touch of something spooky. Do you like it?

These are the first works of my Paris series. Oil on canvas they glow richly under the gallery lights. I kept looking at this little corner of the gallery all day and thinking "ahh, Paris!"

The back room of the gallery is filled with Natalie and Julia's works. It has an entirely different 'feel' to that of the front room. It is an exciting feeling, adventurous even. Click on the photo (as with all in this post) to visit the Flickr page to see whose is what. The plinth in the centre has 4 small artist books by me and another of my "booquets".

Natalie Bateman is an indigenous artist and has large paintings on canvas in the exhibition. Natalie currently lives in Nambucca Heads and the beautiful coast there as well as her tradition home on the south coast have influenced these works. Julia is exhibiting mainly photographs and she is a powerhouse of skills. She is currently setting up a business that will assist artists with promotion, publishing and much more.

It was a long day but a good one. I'm truly excited about the exhibition. Hope I see you there!

Getting ready for Converge next week!

I'm sorry to have neglected my blog in the last little while. I've been busy finishing paintings, drawings and other bits and pieces for the group show next week in Gladstone (NSW - see my previous post here for details). One of the fun things I've been working on is a small installation of paper flowers made from old book pages. It is titled 'Boouquet', a blend of the words 'book' and 'bouquet'. The piece is an opportunity to enjoy books purely for their delicious smell! I'll have photos next week after it is up and in the gallery. (I hope it looks as good as it smells!)


Below is preview of another of the mixed media works for the exhibition 'Plans'. I promise to have more posts and photos soon. Have a good week everyone.

conVerge

My upcoming group exhibition is getting close! Only a couple of weeks away now, it opens on Wednesday 17th February and runs for 5 days, last day Sunday 21st. The exhibition will be in Gladstone (NSW not Qld). If you don't know Gladstone it is a picturesque village on the Macleay River north east of Kempsey on the way to South West Rocks, a truly beautiful part of the world. Gladstone itself is a historic village, largely unchanged except that it is now a thriving creative community. The MV Gallery is a wonderful space beside the village hall.
I'd love you to come along and see us. Julia, Natalie or myself (or all of us!) will be there when you visit. We are having a celebration/opening on the Friday night starting at 6pm.

How do you get there? If you are coming from Coffs Harbour it is an hours drive (approx 100 km) south on the Pacific Highway. Don't take the first turn to South West Rocks. A couple of kilometers further along take the (left) turn to Gladstone, Smithtown and South West Rocks. Gladstone is 5 kms off the highway; drive past Smithtown (on your right) and cross the river. Turn right and you have arrived in Gladstone. (On the map below you will be coming from the South West Rocks direction.) There really is only a couple of streets in Gladstone so you won't have trouble finding the gallery. There are brown signs that lead you straight to it in Kinchela Street. There are other galleries and shops to check out while you are there and a wonder old Aussie pub for refreshments.
I'll be exhibiting some of my recent work you will have seen here and some new work you haven't. With the other two artists joining me, it's going to be a great exhibition!

Talk about inspiring!

Yes, I am still painting every day! Yay! It is good. What is really a surprise though is I've changed my painting media from acrylic to oils!!! I've used oils in the past but gave up due to allergies and health issues around chemical overload.

So why have I gone back? I was told to. (I'm so suggestible!) I was told to by none other than Vincent Fantauzzo (2008 Archibald Prize portrait of Heath Ledger) and Steven Jacks (I can't find a decent link to his work sorry, but believe me it is incredible!) when I was fortunate enough to meet them and spend a day with them in a painting workshop. It was particularly interesting because they share a studio and work together in an almost brotherly way. Their techniques are similar as are their views. It was most enjoyable.

No previews of my oil paintings yet. Oil paints are not blogging friendly as they take so much longer to finish. I can say I am excited to be finally working on my Paris paintings! It seems they were waiting in my mind until I rediscovered what is possible with oil paints.

These two are not Vince and Steven. They are in fact Parisians I spied and tried to capture.

What is it about Parisians and Paris itself that is so... what's the word... Parisian!?

Stretchy potato and tattoos

Here is my biggest culinary tip for visiting Paris - order Aligot. Pronounced "ah-lee-go" it is a specialty from the Auvergne region of France and is in fact stretchy cheesy potato. We had it at L'Ambassade d'Auvergne where the waiter brings it to the table, still in its copper saucepan, and beats it and stretches it quite flamboyantly. I believe this is to prove that they have in fact used the "right" cheese because we all know any cheesy potato we make at home wouldn't stretch like that.
Our visit to L'Ambassade d'Auvergne was a triumph on another level too. I had phoned to make the reservation quickly asking "parlez vous anglais" only to be told "non"! I proceeded to speak however, eternally grateful that the French for reservation is, well, reservation. I booked for 2 people on a specific day, date and time, I managed to spell my name in French and when we arrived on the arranged day and time, they were expecting us!

Back to my real life here in Coffs Harbour now. Yes, I've been committed to painting every day and yes, I've not been doing too well on that these last few days. I said I'd be honest. I do, however, have a good excuse but do good excuses cut it with these type of commitments? What I have been doing is writing an application for a residency. Doing this has been a big step forward in my commitment to my work actually and it certainly has been a huge learning curve. It was a lot of work and a lot of hard thinking. Translating that thinking into a cohesive project description was practically painful! But it is done and I am very proud of myself for having done it and submitted it on time. I'm not unrealistic enough to think that I stand much of a chance of being accepted, but I do know that my chances are better now that I've actually applied!

So today I will return to they physical act of painting every day and I am looking forward to it. I'm really enjoying the works on paper I've been making. This one is titled "Body of Work" and is a bit bigger than the other ones I've shown you here before (200mm x 200mm). It references my long interest in tattoos in my painting. I like the combination of the old travel guide plan collaged with the henna pattern inspired pencil and think they work really well together.

She's available in my Etsy shop now.

1 week down, 51 to go

Meet Rose Henna or should I have called her Henna Rose? She is one of my new mixed media paintings and I've just listed her in my Etsy shop.
I've had a great week, drawing, painting, sketching. Over the weekend I did let myself off the hook a little and just sketched or did nothing, but it was an unusually busy weekend. Still, I'm not going to beat myself up just because of a day off. That isn't the purpose of my commitment to painting everyday. Quite the opposite really. I am allowing myself to paint everyday and that's a positive thing.

When I was in Paris I picked up a new (to me) sketching pen - Pentel Pocket Brush Pen. As you can see it's quite a bold black and very calligraphic. This is the first drawing I did with it. It really is quite fun to use once you get over the shock of how bold every little touch of it is. I discovered going for bold was the best approach. I used this pen over the weekend to sketch Roly. I haven't scanned it yet but it's pretty weird. He never stands still for me, or if he does it is with his bum end pointed at me!
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I did this drawing on our first visit to the Lourve. On this particular day we only visited the outside. There is so much to see without even going in!

Lost, but it's a good thing

I decided not to bore you with daily posts titled anything to do with "pleased" so I've left it a few days to allow my fresh commitment to settle into my mind. I do seem to be learning so much more just by making myself do something every day. Mainly I've learned that those old sayings are true. The latest thing I learned is that you are nowhere if you aren't lost. If I think I know where I'm going with a work the results are staid and well, simply bad. If I'm lost, don't know what to do next, have to paint or draw myself out of a veritable corner the work is fresh, alive, interesting and I'm happy with it.

I don't know how many small works I've finished just this week, it must be about ten or so. Here is taste of what they are like. "Blue Henna" is small, just 10cm x 10cm, mixed media on paper. I will add her to my Etsy shop sometime today. I'm so happy to be able add some of my work to my shop in spite of getting ready for an exhibition next month!
I want to keep showing my Paris sketchbook drawings here too. Here are T and I sitting, as we did nearly every evening, at Cafe Parvis watching the Parisians walking by. During our first two weeks in Paris (T would say it wasn't 2 weeks, it was only 10 days! Men can be so pedantic.) the lift to our apartment was out of order and we had to walk up to our sixth floor attic home-away-from-home at the end of our day-long walking exploration of Paris. Cafe Parvis was a good place to rest before the ascent. We fortified ourselves with local beverages (eh hem) and inspired others who were using the spot for the same reason as ourselves to buy by the bottle and not just a glass!

Day 3 - Really pleased! (I'm going to have to think of a new post heading soon)

But I am. I am really pleased with my day yesterday and the turnaround I've made in my creating in just 3 days! Yesterday I finished 4 small paintings! These works are following on from some of my mixed media works of last year, layering pattern, book pages and images and they are all figurative which is the direction I want to take and persevere with. Well almost figurative, they are all faces.

During a pause in my process yesterday I was looking at the finished little works and I had a huge BFO (blinding flash of the obvious)! I was thinking something like "It'll be a shame when I have to stop working in this style to paint my Paris paintings." Uh hem. I don't have to stop! I have been working on a look or style for my Paris paintings and hadn't found one. This will do perfectly and it is how I want to work! Sometimes the obvious can be so obtuse. Now all I have to do is to start them.

Ah, starting. It seems it is true what they say "just begin" and it will work out. I began 3 days ago with the commitment to paint every day this year after a pretty dry creative period. It seems it is true, all it takes is to start! The problem with that sentence is that it implies that all you need to do is to start ONCE. The truth is that I must start constantly, start painting today, start a new painting, start the difficult part of the painting, start the finishing off etc.

I still don't have a scan of my new paintings to show you yet but I'm sure you will love to see another Paris sketchbook page so here is the dining room of the Musee Jacquemart Andre. I tried to capture the beautiful bronze, ceramic and red silk lamps but didn't do them justice at all.

Day 2 - pleased

Pleased I am. Spent almost all day yesterday reorganising my studio space. Moved just about everything to a new location, some of it into the storeroom, although not as much as I'd planned. The new layout might just work! But... it was late afternoon and I'd not painted. The room was a huge mess and I couldn't see the surface of my desk. I pushed a clear space in the mess and looked for something to paint on. A piece of watercolour paper 10cm x 10cm was in the mess pushed aside so I chose it and began. I started well, a bit of collage, a smear of gouache, some coloured pencil. Ugh, that stage where every fibre in my body seems to be screaming "Yuck! Stop it now! Try again." I persevered. I LOVE what resulted! I feel like I have broken the back of my block already. Painting everyday is going to be VERY good for me!

But there is a problem. I had that carefully cut piece of paper there for a project I'm not ready to talk about here. I actually have a couple of projects on the boil at the moment and I am not at a stage where I can show what I might paint. Solution A: If I paint every day it is likely that I'll be able to paint something just for fun and be able to show you that! Solution B: I'll show you some more of my Paris sketches, which is the solution I've chosen for today.

This is another sketch of those chimney pots I loved in our view from the apartment. This one has them almost obscured by T and the apartment itself, but I didn't think you'd mind. Ahh, Paris!

Day 1 of my new regime

I'm going to paint (or draw) every day this year.
Well, I took my sketchbook to the beach. I don't know why I haven't done that before. I love other peoples beach sketches! (I particularly love Marina's.) Maybe that's why I don't take mine there... I don't want to know mine are not as wonderful as theirs. Well, now I know it, but I also know practise will improve them!

On the painting front, I needed to do a bit more towards the reorganising of my studio space. I grandly call my little room my 'studio'. It is tiny and I have sooooo much stuff and furniture. I'm moving some of my stuff next door into a storeroom. It will mean I'll have to go in there on and off, but it will be better for painting. My problem is that the storeroom is already full so sorting, throwing out and reorganising is going on in both rooms. It will take time, but I'll get there. In the mean time I've almost made enough space to do some painting! Yay!

Well well well. I had to scan my Moleskine so I could show you my bad beach drawings so I scanned my Paris drawings at the same time. The reason I haven't shown you my drawings (I think) is that scanning them really means the trip is over. In my mind I race back to Paris at every moment I can. Scanning the drawings makes it really really over. Ahh, Paris!

Wednesday December 30^th 2009

I’ve been to see Julie & Julia. I love food, Paris and blogging so it was right up my alley. While I loved the movie, it was the beautifully portrayed goal setting and perseverance that really struck a chord with me.

Goal setting is not my strong point. I had already decided 2010 would be my year of setting goals AND working towards them but this movie came at just the right time for me, in that post-Christmas haze, you know the one where the only thing that seriously goes through your mind is a general light hearted dalliance with what may happen on New Year’s Eve.

So in Julie Powell style I’m setting myself a goal – a big one! The true beauty if Julie’s goal was that it was exactly perfect for her. It incorporated her loves and her strengths. I need a goal like that. I think too, that I’ve put as much thought into mine as she put into hers, well, at least as much as the movie indicated anyway. My goal for this year is to paint every day (or draw or some creative expression other than sewing) and to keep me honest I’m going to post it here daily too.

It might not sound like a huge change to you but it will be for me as I’m one of those who has difficulty prioritising my art anywhere near the top of my list. Other things and people are constantly slipped in ahead of my art practise. I was brought up to be “good” and considerate and as a consequence reaching goals really only works when they coincide 100% with what’s going on around me. Not that I want to indicate that I’m unsupported in this because I am generously and lovingly supported in this goal and always have been. This really is a personal goal, a job of surmounting my old ‘self’ to allow my real, genuine and creative self to flourish.

Now, I wonder how Julie Powell got those boxes for the number of recipes and the numbers of days on her blog? (Not that it’s there anymore.) I’m off to check out how I can record my year of perseverance here…

Saturday January 2^nd 2010

OK, I think we can all see the problem I will be attempting to surmount clearly demonstrated here. I could not find the little box widget to record the number of days left this year and the number of days I painted, then I got distracted and exactly zero painting has occurred.

I’ve been and dragged out my copy of The Magic Lamp: Goal Setting for People Who Hate Setting Goals, dusted it off (surely it can’t be THAT long since I bought it?) and I’m going to read it, set goals, work towards them AND paint.

So here’s the deal – I am going to try to post daily here this year, however I’m not going to let blogging come before the actual work I want to blog about! I may post an image without words some days, just to get it on here and some days I may not post at all, but I will be honest about the painting every day. Oh those heady days BEFORE New Year (way back on Wednesday when I started writing this!) when I could say to myself “It’s not New Year’s yet! I can leave it until tomorrow to paint.” I must start today. I must paint every day.

Moly Exchange update

I've been a bit behind on more than just blog posts I can tell you! Here is my latest entry in a book from Moly_x_25 which is actually nearing completion. This particular moly (affectionate term for Moleskines sketchbooks) had lots of entries about each artists own local environment, a theme that wasn't prescribed by the books owner, but one that evolved never the less. Last time I drew in this book I did a beach and ocean view and this time puzzling on what to draw has meant I've had this book for quite a long time! Finally *bing* and I knew I had to draw my new vegie patch. Yes, I've joined the many who are first time vegie gardeners this year. Well, not really a first time, but it's been ages and I've never been terribly successful. This time I've started with good soil and some good information and I'm powering along harvesting salad greens (and reds!) every day with beans and peas only days away from picking and many other goodies growing well. All organic of course which is the challenge.
I also needed to catch up on my pages for Moly_x_48 - The Exquisite Corpse exchange. These particular books are not the Japanese fold ones like the one above, but the normal small sketchbooks and when they are completed the pages will each be cut into three to create a wonderful mix and match type book filled with drawings from artists all over the world. Here are my latest. Firstly "Liza was inclined to laziness".
"Lloyd knows what he likes" was inspired by the recent gallery drawings of Rick Tulka, a fabulous artist and someone I can now call a friend after meeting him while in Paris. Check out his wonderful drawings of Le Select, the cafe where he draws daily and where we met up. Better still, buy his book Paris Cafe: The Select Crowd

Not sure what I was thinking with this one... think I was still jet lagged... here it is "Squish could touch his toes (if he had any).

What a poor sad neglected blog!

Sketching at the back of Notre Dame
Originally uploaded by Jan and Roly

I'll have to admit I came back from Paris and I though "blog schmog" and just let it sit here. Waiting. Oh dear! Enough is enough!

I have lots of stories about how fabulous Paris is including the one about the time we decided to go to a recommended restaurant for dinner later in the week. I phoned up "allo?" "Allo madam." "Parlez vous Anglais?" "Non madam, seulement Fransais" (or something similar). Oh dear. Now I realised I didn't know the first word I needed! Reservation! Luckily the French word for 'reservation' is 'reservation'! I went on to specify the day of the week, the date (to make sure I said the day correctly!), the number of people and the time (with a little help from my now very friendly French friend on the other end of the phone).
Finally we got stumped. I could not understand what he was saying at all. "Oui or Non!?" I said at last. "Oui, Oui!" he said, so we went on. I spelled my name in French as my final triumph and we said "au revoir." Later that week we turned up to the restaurant and they were expecting us!!! Yay!

The real reason I wanted to mention this restaurant is that our walk to it demonstrates why I love Paris so much. It turned out the restaurant was only a block and a half from our apartment. We went down the stairs (at this stage of our trip the elevator was still broken - but that's another whole and long story!), through the courtyard, out the front gates of the building and onto our street. We turned right. Turning right wasn't something we hadn't done before. Far from it really, but we usually went left as left was the direction of the metro, the Seine, I could go on. We turned right, walked to the end of our block and turned left. I don't think we had ever turned left there before. It is quite an unremarkable street. We walked the block and a bit to the restaurant and we were in an area we had never seen before! We loved it. We were early (well, you never know how long a walk it might be!) so we explored, finding a whole street of art galleries, artists cafes and cafes in courtyards filled with interesting types.

I live in regional Australia. We have a lot of space. I found it mind blowing that we had never seen something so close to us. Paris is dense. The buildings, especially in the ancient part we were in, are so close together they do not afford a view to what lies beyond. It is only through exploring that Paris reveals herself to you. I love that about Paris!

Bonjour!

Eiffel Tower
Originally uploaded by Jan and Roly

I'm back from Paris and slowly getting back into everything. Haven't done much scanning yet, well, truthfully I've done none! This is just to let you know that I'm alive and that I've had The Most Wonderful Time! This is my favourite photo that I took in the month in Paris. Did you know everything in Paris is beautiful? Well, it is.

Do I need to carry a sketchbook when I have an iPhone?

I'm packing to leave for Paris on the weekend. I have made my 'Perfect Journal' and am finally the owner of an iPhone 3GS. Both of these will slide into my shoulder bag and accompany me everywhere. Each has it's uses... but doesn't the iPhone win? (if there was a competition).


My iPhone is my new favourite thing. I will take a photo (at the very least) every where I go and these will be geotagged. T will be carrying a supa-dupa camera (it's his passion) and will be taking his own photos. My geotagged photos will assist him in identifying where he took his photos as he sifts through what will be thousands of shots when he gets back.

My iPhone will tell me where I am. We have a month in Paris and we are by nature wanderers. Last time we were there (which was also our first time) we frequently tossed up whether to go to ___ which is what we planned, or keep wandering because it was beautiful right where we were. (That's the thing about Paris, EVERYTHING is beautiful. You don't really have to see 'the sites' because what you are looking at every second is beautiful.)


The downside of being a wanderer is that you don't really know exactly where you are at any given time. We would get back to our apartment and find we had been just near ___ and not known, missed it completely. So our dilemma became whether to go purposefully back through our wandered territory, or go somewhere new. New always won of course, so there were things we missed. This time we will be able to wander AND to know where we are. But not only that, my iPhone will give us access to our Google Map.

We have created our own Google Map with place markers on it of all the places we would like to go "if we end up near there." We haven't put our must-see's on it, just the addresses of little shops, restaurants, markets and streets that we have read about or been told about. You know, you hear about a place and think "That sounds perfect! I must go there" and when you check the map it is way out to billy-o and it doesn't really warrant a full blown excursion just for the 'cute little ceramic shop'. But should we wander that way, we won't miss it this time!


And then there are the applications. It really is the 'apps' that makes the iPhone a winner over and above other smart phones. I have my translator app, the plan and tour app for the Palace of Versailles, lots of other travel apps. Then there are the photography apps. I was worried about the quality of the 3mpx camera, I would have like more, but the quality is surprisingly good and the sheer fun and pleasure the apps bring to taking photos is quite exhilarating. (I took these photos of my sketchbook with my iPhone!)


Oh and I can use it as a phone too. And email. And blogging and flickr and Facebook and twitter etc etc. Or listen to music. Or play games. (I wouldn't of course. I'd draw in my sketchbook instead!) So, my sexy little piece of hardware reduces the number of things I carry quite substantially; phone, camera, ipod, gps, guide book(s) and maps at the very least. And it weighs less than my ipod alone does.

My sketchbook, on the other hand, does the exact opposite. It creates more things I need to carry. I need my pens, my watercolours, water brushes, blotting paper, tissues to clean up with, glue, (and if the world was a different place) scissors or a knife; lucky I don't carry pencils and erasers any more.


The photos I intend to take are different from the ones T will take. They will be shots of patterns, details and reference shots for paintings I intend to do when I come back. I can get a lot of these shots taken in the time it takes to do a single sketch. It was the time it takes to do the sketches that surprised me last time. When you have the possibility of fitting in seeing Place Vendome this afternoon versus finishing the sketch you are doing in Place des Voges instead it actually gets a little stressful. We didn't see Place Vendome last time. It is on our list (and the Google Map) for this time.

This is part of the reason I wanted to stay for so long this time. To ease the pressure around the time it takes to sit and draw and see and experience and even wander. I don't know if we will actually have time to see everything on our list even with a month! But if I didn't take my sketchbook, if I only took my iPhone we could get around it all. I could paint from the photos I take and those photos would take me right back to the spot... or would they?

And I think that is the real difference between my sketchbook and my iPhone. When I look back through my sketchbooks I am truly transported back to that exact moment. I can see, hear, smell it all again. Vividly. When I flip back through my photos of last time I find myself thinking "where was that?"

I'll carry them both. I'll let you know who wins. I suspect there actually won't be a winner, that it will be more of a truce. But I'll let you know.
ps. This time I made my perfect travel journal out of a book with the all-time perfect title. Guess how long I'm going to be in Paris!? I filled it with my favourite paper - all the one kind this time because that is how I wanted it to be. It also has some pages from an old Paris Guide Book scattered throughout. I had another Paris book with beautiful illustrations in it that I was also going to incorporate. The book is in poor condition so a prime candidate for rebinding however I discovered it is a reasonably valuable book and a first edition. I couldn't bring myself to pull it apart. It has an elastic closer and a ribbon place marker, some loose sheets of blotting paper, but that is all this time. I wanted a simple version of my usual rebound journal this time. I love it. It IS perfect!

Selected

Dinner Suit has been selected for the Warwick Art Prize. Yay!
It's surprisingly difficult to photograph. It doesn't look this motley in person. It's on its way to Warwick as I speak. It is in the textiles section. It is a difficult work to classify but 'textiles' seems perfect to me; it adds yet another layer of meaning to the work especially as textiles is traditionally "women's work."
I haven't entered any selected (juried) exhibitions in a long time but I'm getting back into it again and getting accepted into this one is just the boost I needed.